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America is destined to become a “rogue superpower”
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America is destined to become a “rogue superpower”
In 2020, says Michael Beckley in Foreign Affairs, I argued in this magazine that the fate of America was not, as most predicted, to remain “leader of the liberal international order” or adapt to a “post-American multipolar world”. Instead, I said the most likely trajectory was for the country to become a “rogue superpower”, neither internationalist nor isolationist, but “aggressive, powerful, and increasingly out for itself”. In this light, Donald Trump is “more accelerant than architect”, channelling long-simmering frustrations with America’s global role, and deeper structural forces “pulling US strategy inward”. One reason the country is going rogue is because it can – US consumers buy more of the world’s goods than China and the Eurozone combined; militarily, the US is still the only country that can fight major wars thousands of miles from its shores.
Today, the US has not just the means to strike out alone, but also the motive. The American-led liberal order has “outlived its original purpose”, growing into a “maze of burdens and vulnerabilities”. It didn’t fail, it triumphed over threats that no longer exist. In the 1950s, the Soviet Union controlled nearly half of Eurasia and possessed twice the military power of western Europe. Communist parties – “committed to abolishing private property” – controlled a third of global industrial output, and regularly won up to 40% of the vote in major democracies. The threat to the American way of life was clear, and the US defence of the capitalist order worked. But that success created new problems the old order was never designed to solve. Vigorous allies became ageing dependents; globalisation hollowed out American industry while enriching and empowering ruthless foreign autocrats. The result? Abandoning it all and becoming a rogue superpower is the “path of least resistance”.
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Heroes and villains

Aimee Lou Wood (L) and Sarah Sherman impersonating her on Saturday Night Live
Villain
The English actress Aimee Lou Wood, says Julie Burchill in The Spectator, for “having the ab dabs” after Saturday Night Live made fun of her teeth, calling their parody of her character in The White Lotus “mean and unfunny”. I miss the days when gorgeous, successful actresses were hard as nails. Like when the young Ursula Andress was asked why she posed nude for Playboy and replied: “because I’m beautiful”. Or when Brigitte Bardot shrugged: “I have always adored beautiful young men. Just because I grow older, my taste doesn’t change. So if I can still have them, why not?”
Hero
Donald Trump, says Janan Ganesh in the FT, for reminding the world that globalisation is good. It’s amazing so few on the left noticed the benefits of international trade sooner, particularly after the “electoral flop” of Joe Biden’s protectionism. But then, “liberals tend to choose feeling good over thinking hard”.
Villains
White people, says Rod Liddle in The Sunday Times, who have been barred from applying to work for the West Yorkshire police. Perfectly understandable, of course. We are “quite the most awful sort of people” and it would be “madness” to have us wandering the streets telling people what to do. But given the grave problems faced by our police in recruiting “any people, of any race”, perhaps it would be sensible to let in just a couple of white applicants to do some low-level menial tasks, like washing down the cells.
You’re missing out…
To read the rest of this week’s heroes and villains, and pieces on the strict rules for staff on Elon Musk’s private jet and what it was like growing up on a remote island with George Orwell, click below to subscribe.
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